Twilight Photography: Seeing in the dark

Using low light as a highlight

Twilight “blue hour” intentionally chosen to highlight lighting design

Architecture photographers are obsessed with weather forecasts. Everyone wants good weather for their photoshoot as this usually translates to good light (though not always the case). Of course there is only so much good light in a day and some projects require a lot of planning to capture certain parts of a project at the best time in the day to benefit from natural light. It can sometimes feel like a race, especially on those shorter days in the winter months. However, as the sun dips below the horizon, new photographic opportunities emerge.

Twilight photography in the world of architecture and interior design often reveals stunning visuals that can't be replicated during daylight, and in many circumstances, twilight imagery should be included in your shot list.

1. Showcasing Landscape design: The interplay of dimming natural light and emerging artificial lighting can create a beautiful blend of colours and textures that accentuates your outdoor spaces.

2. Materiality: Unique wall or floor treatments come alive at twilight. Texture, shadow, and depth are highlighted.

3. Lighting Design: As the day transitions into night, lighting design takes center stage. Twilight photography is perfect for showcasing the artistry of lighting schemes, from soft, ambient glows to dramatic focal points inside and out.

4. Subject Isolating and/ or Highlighting: Photographing your project at dusk allows you to isolate your subject amidst a darker background. Your building or room becomes a beacon, drawing attention to its design and details.

5. Bad Weather Solution: Sometimes things don’t align and when bad weather decides to play spoilsport during your photoshoot, twilight can come to the rescue, especially for exteriors. The dusk ambiance helps mask uncooperative weather conditions / clouds and can turn them into an asset.

As with all things architecture photography, planning is key. The ideal twilight conditions are only short lived so its back to that race again to get the images needed in the short window of ‘blue light’.

Are you an architect or designer seeking to elevate your portfolio with stunning twilight photography? We can help with this. Let's create stunning images together. Contact us today and let your architecture and interior design projects shine, even after the sun has set.

Teeth

Photographing a dental clinic

Main entrance lobby and reception

A trip to the dentist isn’t usually on the top of peoples list of favourite things to do, usually because of a hang-up from some historical experience or a second hand scare story that has been doing the rounds, but we live in good times! Dental treatments are the best they have ever been and the clinics themselves are being carefully designed to provide a functional space to help deliver the best treatments and also a calm and welcoming environment for patients and practitioners.

Keeping these points in mind were central to my planning of a recent photoshoot at the new Spot Clinic dental practice designed by award winning architects, SABRAB. A complete overhaul of a challenging space high above Avenida Liberdade in Lisbon had incorporated extensive use of glass walls, doors and partitions to maximise the flow of natural light throughout the patient and technical areas. A monochromatic palette of materials was also used to offer a clean, minimal and very modern space for patients to enjoy. My brief was to document these elements for both the architect and clinic, with the added twist that the clinic was operating a normal working day.

Photographically, the challenges were working in tight spaces around delicate equipment (resolved in part by stitching shifted images together for some compositions), illustrating the materiality and colour palette with consistency (lots of colour work in post-production), and showing some life and activity whilst protecting patient / staff identity (timing of shots, use of slower shutter speeds and keeping out of the way!).

For these commercial shoots, problem solving is a BIG part of what goes on, and is a BIG part of what we enjoy at Clear Space. Do you have a challenging space or design that you would like to share with your audience? Let’s discuss the best way to make that happen. Finally, don’t forget to floss every day :-)

Cameras and Cocktails

On-location commercial photography

1st location on a long but successful day

Commercial photography is all about creating images with the very specific purpose of promoting and marketing products and services. I love the variety and challenge that it often presents, the planning and pre-production required to make it successful, also the teamwork and collaboration between the client and photographer. 

Another thing I love is a cool drink on a sunny beach (who doesn’t?), so when i was approached to shoot some of the worlds best flair bartenders making cocktails on a beach to showcase the Portabar system, I felt like the planets had aligned!

OK, so I specialise in architecture and interior design photography which might sound like a far cry from shooting a bar, BUT, the intent shares many similarities: images that capture the design itself, detailed elements, materiality, functionality and utility. The big difference is that unlike most of my subjects, this one can be moved about and that was a key element of the brief: to showcase the versatility of the Portabar in where it can be set up, but also how it can be quickly customised to take on different looks, thanks to their clever modular system and magnetic decorative panels.

Directing the shoot here in Portugal was Tom Dyer, a world champ Flair bartender (!). Portabar wanted to have their product set up in a variety of stunning locations which we are lucky to have in abundance here around Lisbon. A number of locations were decided, a team assembled to make it happen and shot list decided upon through liaison with Caroline at Portabar UK. Other considerations were location access, transport, timings on the day, props and staging, tides and weather.

Planning is everything on shoots like this as the ability to improvise on-the-fly when needed - That was true right from the off. Despite the perfect forecast for location no.1 (a wonderfully wild ocean beach), shortly after setting up the bar, the fog came in… The collective decision was to press on, select the bar facade that matched the mood and environment and make a few changes to my shooting approach (strobes now needed). The result: probably my favourite images from the day! That fog really added some drama to the scene. 

Over the next 8 hours or so, the sun came out and we set up in three different locations, staging and shooting 5 different variations on the bar design with Tom, Patricia, Travis and Luis all doing incredible things with bottles, spirits and glasses bringing the energy to the shoot and making some incredible cocktails (yes, I did sample a few). The best bit was that Portabar were delighted with the outcome. Mission accomplished! 

If you need to showcase your product, design, space or place in a way that makes heads turn, I would love to help out. I hope to speak with you soon. Cheers!

Entourage

The role of people in architectural photography

Layering photographs to control the positioning of people in the final image

Entourage: “a group of people attending or surrounding an important person”. In the language of architecture and design, this word is used to describe the surroundings of a building, or the parts of a drawing beyond purely architectural information, i.e., people, animals, plants, textures, shadow, and light – to tell the viewer what that space may be like when inhabited. Within architecture and interiors photography, entourage (specifically the inclusion of people) is an important consideration amongst everything else that’s important to consider!

So when do you include people in images and when do you leave them out? Well, as with most things in photography, it depends…. The purpose of the imagery, the story a photograph is supposed to convey to the viewer, the composition, scale of the subject, the clients needs, etc. are all factors that can point towards use of entourage.

Adding a person or people into an image immediately offers a reference to size and volume that the viewer can relate to. It can also help to explain how people occupy, use and move in and between spaces. People in photos can also soften harsh or brutal environments and sometimes, it just makes sense - an empty shopping centre or university atrium can be eerie and odd, and let’s face it, over the last year we have seen enough eerie scenes of empty streets to last us a lifetime!

Its not all good though - there can be problems with including people in your images. They can distract from the primary subject (the building or design) and they can make a small space seem even smaller. Clothing, cars and fashion can date an image quickly reducing its useful lifespan if used in a client portfolio. Also, the positioning of people in your images is just as important as other elements in the frame. Avoiding awkward tangents or proportional imbalances are some of the challenges to overcome when using entourage. Now if you can find models (hired talent, local staff, your clients or even yourself) then you can direct and control these elements to some degree, however, if that isn’t possible then the challenge is to try and use the natural flow of people in and out of your frame.

Being in the right place at the right time can sometimes get the results you are after, but as a commercial photographer, you can’t rely on luck to get the shot. You have to make the shot for your client by bringing all the pieces together. Thankfully, there are ways to accomplish this when the decisive moment isn’t forthcoming!

Layering, blending and compositing multiple photographs of the same scene in post production is one such approach, but this requires careful pre-planning and visualisation on location. Having selected your composition and having everything locked down on a (sturdy) tripod, you can capture your base image and then multiple additional images as and when a well-placed subject walks through the frame. In the cover image to this article and the image below, this is exactly what I did. The NOVA SBE university campus was quiet at the time of shooting but the space felt lacking without people so I used around 5 or 6 images or students walking around the space over a 10 minute period to achieve a finished image with a good mix of people well placed within the frame, adding scale, context and interest.

On interior (design) photos, this same approach can be used, but you may also need to add supplemental lighting to your entourage or deliberately drag the shutter and create an intentional blur to make the image more dynamic and avoid distraction to the viewer. In the images below taken at the ClimbUp bouldering wall in Lisbon, the models were lit individually using remote flash and layered on top of base image to achieve the final photograph.

When considering your own imaging needs, the decision to include or exclude entourage is an important one. Here at Clear Space Photography this and other points are discussions we would have with you at the planning and scouting stages of a project so we can create the results you need. Get in touch to find out more and start planning your next photoshoot!

Imobiliária

Selling Spaces

One thing that hasn’t really slowed down too much during the Covid-19 pandemic is the real estate market. Certainly here in Portugal, buying, selling, building and renting properties has continued. Some things have had to change of course, such as restrictions on viewings during the most severe phases of lockdown, but agents and brokers have adapted by making better use of media to provide a showcase of their listings to potential buyers and investors.

This of course brings me to the subject of real estate photography… 

Photography has been the mainstay for real estate marketing and with good reason. We are drawn to images of beautiful things. BUT, in a world where we are saturated with images everywhere, it is vital that the images you use to promote your property listings (and your brand) really stand out from the crowd. Lets look at some stats:

• 99% of Millennials are searching for their future property online where a listing with pictures is 10x more consulted.*

• Buyers spend 60% of their time looking at listing photos, and only 20% on the listing description.**

• Homes with high-quality photos receive a 47% higher asking price.*** Listings with professional photos get 118% more online visits.****

Simply put: Professional photography gets you and your listings noticed!

[* Digital Age Study ** Wall Street Journal *** Redfin **** National Association of Realtors]

Real Estate (RE) photography is quite a different genre compared to Architecture and interior design photography. Fundamentally, its pictures of buildings, but in reality, their purpose sets them apart. A set of RE images aim to communicate a summary of a property to a potential buyer, to provoke their interest in wanting to find out more, reach out to the vendor/agents and ultimately take the step of requesting a viewing. From the agents perspective, good images also help to qualify their prospects saving everyone time.

Photographically, there are some similarities in approach to creating images for RE vs architecture clients: Carefully considered compositions that tell the story and illustrate the layout and flow of the property is key. Using tripods and the right lenses to ensure good quality interior images, upright verticals and consistency across the image set. Some degree of post processing is also required. Typically for RE photography, a wider focal length is used to convey the size of each room and in order to comply with online listings websites, a horizontal/landscape orientation is favoured. Post processing RE images is a more light handed affair as the images must accurately reflect the property. However, dealing with mirrored bathrooms and high dynamic range challenges still requires a problem solving approach and pre-visualisation as well as a helping hand from Photoshop.

At Clear Space, we use our knowledge, experience and tools to help agents and vendors who understand the importance of quality imagery to promote their luxury listings through well crafted photographs. 

If you are a real estate agency looking to raise the bar of your listings, drop Clear Space a line to request a brochure and see how we can help you.

Memories

Documenting a historical residence in Cascais

As you’d expect, I love looking at pictures. I think most of us do, especially when they have a personal meaning such as old family photos or that painting grandma used to have above her fire place. Such pictures or photographs can instantly take us back to a different time in our lives which is pretty amazing. Most photographers would probably agree that for their images to evoke such personal memories and feelings for others is very gratifying. In my commercial photography work, there is typically a clear brief as to what we (myself and the client) want to create and how it will be used (for example, documenting a unique design element in a residential new-build for an architectural award submission).

Occasionally, the brief goes deeper as was the case in a recent residential shoot I was commissioned for. The owner of a large historic property was making plans to downsize but wanted to have a detailed record of the house they love as they remembered it. Besides it being a fantastic example of bold 70’s portuguese architecture in its own right, it was also packed with antiques, furniture and decorative pieces collected over many years, and a wonderful fireplace at the heart of the home.

On the day of the shoot I was given freedom to navigate the house to my schedule which meant I could select the best time of day for the interiors and sneak in a few twilight images featuring that wonderful fireplace. I was fortunate to have an overcast day (rare in Lisbon!) with a beautiful soft light filling the property and I opted to stick to this natural light only to document the details with as much realism as possible. Also, no staging or moving things about - This was all about capturing the space as it is/was. Pretty much all the images in the set were taken with either a 24mm Tilt-shift or 50mm. A simple set up and a joy to shoot. Most importantly, a very happy client who now has a set of images that can transport them back to a different time and place.

Please get in touch if you would like to record memories of a place that is special to you or someone you know.

Look good, feel good

Interior and lifestyle photography in a wellness studio

I sometimes see my job is to document a design, a space or place. Sometimes its to provide a visual narrative to a building - where is it? who uses it? what is it made of? Other times, my photography has the specific goal of conveying a feeling to the audience. Recently, I was commissioned by a local business to do just that.

Health, Beauty and Wellness is a big industry and is a very competitive market place so its important to stand out from the crowd for the right reasons. Eliane Campos Health & Beauty is a well stablished practice 5 minutes walk from the wonderful sands of Carcavelos beach just outside of Lisbon. They offer a broad range of treatments and services that go beyond most and that demand highly trained technicians that operate to exacting standards of hygiene and care. My brief was to capture specific treatments and procedures offered in the salon and to highlight the professional standards and environment that their clients can expect when they visit.

Pre-production meeting and planning gave us our shot list, organised staff, models and interior styling to make time on set as efficient as possible. I opted for high-key lighting using small strobes to emphasise the clinical surroundings of the treatment rooms. This also allowed for colour consistency and flexibility to work around practitioners and models in a series of tight spaces.

Mission accomplished!

Big thanks to Eliane and her team and models for all their hard work on the day - especially as it just happened to be in the middle of a heat wave. We all earned a cold Super Bock that night!

If you need to tell your customers something good about your business or premises, get in touch for a chat. Architecture and interiors photography often widens to include lifestyle images in those spaces and Clear Space is here to help you achieve that. 

Unsung heroes

Details: filling in the gaps

Stairway alternative view

One of the “jobs” of an architecture photographer as I see it, is to throw a spotlight onto the elements of design that get missed as we all rush about in our busy day, heading to meetings, chatting to friends, or checking messages on the go. We take in our surroundings in different ways and our brains regularly fill in the detail that we didn’t quite have time to explore, but the designs, structures and buildings that we walk past are the sum of their parts, big and small that have been carefully considered and painstakingly installed to create the finished article. They are like unsung heroes and it is often these smaller details that I search for when I explore and photograph the built environment. Once you start looking for these details, you can’t unsee them! 

Sometimes these elements are in themselves little works of art. Other times, a bit of creativity in composition is needed to highlight that they exist at all. Finding repeating patterns, strong geometrical relationships, texture in materials, reflections or advantageous light can all help to amplify these aspects of a design whether they were intended to be viewed in this way or a happy accident. Taking the time to walk through, in and around the subject can reveal these little gems but crucially help to plan how to show them off in the best way - lens choice, camera position, time of day, interplay with people, use of supplemental light (or blocking it), post-processing are some of the tools I use and the decisions I make to help others see what they might otherwise miss.

Of course in cases of commissioned work, there is a brief to follow which will vary depending on the goal that my client is aiming for. In capturing architecture photographs of a large infrastructure project, public space or residence, usually the hero is the whole structure or large elements of it. For interior design photography in the hospitality sector, the finer luxurious details and furnishings help to entice customers to visit and can form a larger proportion of the shot list. 

Architecture requires careful attention to details, and therefore photographing it needs that same level of consideration to deliver a set of images that celebrates those details. My job is to help others see your designs the way you intended.

.pt

Clear Space Photography now based in Lisbon, Portugal!

All change! Well, quite a lot of changes in the last few months, the main one being a full relocation to Portugal and the wonderful city of Lisbon. It has been a long standing aspiration for myself and my wife to sample another, different life and after first visiting Lisbon 4 years ago, the city has been on our radar as a place to move to. Fast froward to 2019 and after several reconnoissance visits, lots of research and soul searching, we have done it.

I can’t pretend it has been easy, especially leaving friends and family, but our new life has only just begun, we are a couple of months in and our little apartment in Carcavelos (on the coast, 20 minutes out of the city centre) feels like home. Spike (our ageing Boston Terrier) loves the sun and the beach and we are ploughing through all the administration tasks necessary with any relocation - just made that bit more challenging as we can’t speak any Portuguese (but we are working to try and change that)!

So the move means that Clear Space has moved too and is now operating as a freelance business serving Lisbon and the surrounding areas. Economic growth in the region, a progressive approach to architecture/design and a buoyant tourism sector across Portugal all represent opportunities for Clear Space to assist businesses and brands through the creation of photographic content that tells their story with impact. 

I am excited to forge new relationships and collaborations and take advantage of THAT light (I am not missing those grey days…).

If you’d like to connect to discuss photographic ideas, enquire about commissions or just to find out how my language skills are coming along, please get in touch. Obrigado!

Ninja skills!

Interiors and architecture photography of a unique commercial space

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When you are in the groove with your work or a task, you can cover a lot of ground and get things done but interruptions and distractions can have the opposite effect (like re-reading the same sentence ten times and it still not registering!). As a location-based architecture and interiors photographer,  I can be tasked with capturing images of real working environments. Spaces devoid of humans can work in some situations, but sometimes having people in the frame helps the narrative: what the space is used for, how we interact with it, providing scale. But, the last thing I want to do is to cause disruption to my clients’ business and annoy folk trying to do their work. So, this is where the Ninja skills come in… I don’t mean back-flipping around a site clad in black, but operating efficiently, discretely, with awareness of the surroundings and sensitive to those working in it. At the core of this is pre-planning and scouting before a shoot takes place.

A while ago, I had the opportunity to shoot the unique interior of a working commercial space in the iconic Park Hill development of Sheffield. This behemoth of brutalist architecture has been brought back to life to suit modern living and working thanks to the vision of Urban Splash. With the first phase complete, there are now a range of commercial and retail units occupied below the towering residential apartments above. One of the early adopters to the office spaces has been Yoomee, digital researchers and designers focussed on helping non-profit organisations.  Founders Nicola and Andy were visionary in taking the bold step of moving their business into new premises  and have worked to create a unique work space that suits their needs. The offices span the base of the tower with dual east and west aspects and house work spaces, meeting rooms and breakout areas across two floors. The fit-out (Ovo Spaces) has celebrated the brutalist fabric of the original structure but with modern fixtures and fittings and vibrant splashes of colour injecting energy and fun. 

With a complex, occupied workspace such as Yoomee, a scouting trip to site is invaluable. It gave me the chance to understand the space, direction of light according to time of day, build a shot list and meet some of the team there. It helps me to consider my equipment choices and helps to remove any surprises on shoot day. This way, I can get in, make like a Ninja and complete the shoot. For the most part, I was able to work tethered to a laptop (our preferred approach) allowing ‘live’ tweaks to composition, framing and exposure whilst providing an instant back-up of assets. Some of the spaces required panoramic stitching of images made easier with the Canon’s tilt-shift lenses, and thanks to the enormous windows and a cloudy day (lovely soft light), little need for supplementary lighting. It was a really fun shoot of a great space, made all the more enjoyable thanks to Rich Wells who helped shunt some furniture about and kept me caffeinated.

A scouting trip to your location is a valuable exercise to help us formulate the right approach to meet your brief. If you are thinking that your work space or business deserves to be shown off in the best way to your clients and customers, drop Clear Space a message or give us a call. We would love to discuss your ideas and help you plan a photo shoot that delivers (back-flips not included).